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From meticulously landscaped gardens to opulent interior design details, every corner of the home reflects the impeccable taste and style of its owners.LANDOVER, Md. (AP) — Allowing two kickoff return touchdowns and missing an extra point all in the final few minutes added up to the Washington Commanders losing a third consecutive game in excruciating fashion. The underlying reason for this slide continuing was a problem long before that. An offense led by that was among the NFL’s best for a long stretch of the season put up just nine points and 169 yards for the first three-plus quarters against Dallas before falling behind 20-9 and teeing off on the Cowboys’ conservative defense. “We just couldn’t really get it going,” said , whose lengthy touchdown with 21 seconds left masked that he had just three catches for 16 yards through three quarters. “We’ve got to find a way to start faster and sustain drives, and that’s everybody: the whole coaching staff and the offensive players just going out there and figuring out ways that we can stay on the field.” This is not a new problem for Washington, which had a season-low 242 yards in a and 264 yards four days later at Philadelphia. Since returning from a rib injury that last month, Daniels has completed just under 61% of his passes, after 75.6% over his first seven professional starts. Daniels and have insisted this isn’t about injury. The coaching staff blamed a lack of adequate practice time, but a full week of it before facing the Cowboys did not solve the problem. It is now fair to wonder if opponents have seen enough film of to figure it out. “I think teams and coordinators are going to see what other teams have success against us and try to figure out how they could incorporate that into their scheme,” Daniels said after going 12 of 22 for 80 yards passing through three quarters in the Dallas game. “We’ve been in third and longer a lot these past couple games, so that’s kind of where you get into the exotic pressures and stuff like that. We’ve just got to be better on first and second downs and stay ahead of the chains.” Daniels has a point there, and it predates this losing streak. The Commanders have converted just 36% of third-down opportunities (27 for 75) over their past seven games after 52% (31 for 60) in their first five. That challenge doesn’t get any easier with Tennessee coming to town Sunday. The Titans, despite being 3-8, have the second-best third-down defense in the league at 31.6%. What’s working The defense kept the Commanders in the game against Dallas, allowing just 10 points until the fourth quarter and 20 total before kickoff return touchdowns piled on to the other side of the scoreboard. Even Cooper Rush’s 22-yard touchdown pass to Luke Schoonmaker with five minutes left came after a turnover that gave the Cowboys the ball at the Washington 44. The defense spending more than 35 minutes on the field certainly contributed to fatigue as play wore on. What needs help The running game that contributed to a 7-2 start has taken a hit, in part because of The Commanders got 145 yards on the ground because Daniels had 74 on seven carries, but running backs combined for just 57. Daniels could not say how much the rushing attack stalling has contributed to the offense going stagnant. “You’ve got to be able to run the ball, keep the defense honest,” he said. “We got to execute the plays that are called in, and we didn’t do a good job of doing that.” Stock up Linebacker Frankie Luvu keeps making the case to be Adam Peters’ best free agent signing. He and fellow offseason addition tied for a team-high eight tackles, and Luvu also knocked down three passes against Dallas. Stock down Kicker Austin Seibert going wide left on the point-after attempt that would have tied the score with 21 seconds left was his third miss of the game. He also was short on a 51-yard field goal attempt and wide left on an earlier extra point. Seibert, signed a week into the season after Cade York struggled in the opener, and was 22 of 22 on extra points before injuring his right hip and missing the previous two games. He brushed off his health and the low snap from Tyler Ott while taking responsibility for not connecting. “I made the decision to play, and here we are,” Seibert said. “I just wasn’t striking it well. But it means a lot to me to be here with these guys, so I just want to put my best foot moving forward.” Injuries Robinson’s sprained ankle and fellow running back from a late kickoff return that led to him being hospitalized for further evaluation are two major immediate concerns. Quinn said Monday that Ekeler and starting right tackle Andrew Wylie are in concussion protocol. It’s unclear if Robinson will be available against Tennessee, which could mean Chris Rodriguez Jr. getting elevated from the practice squad to split carries with Jeremy McNichols. The Commanders still have not gotten cornerback Marshon Lattimore into a game since from New Orleans. from a hamstring injury, and the secondary could use him against Calvin Ridley, who’s coming off at Houston. Key number 17 — Handoffs to a running back against Dallas, a significant decrease from much of the season before this losing streak. Next steps Don’t overlook the Titans with the late bye week coming immediately afterward. The Commanders opened as more than a touchdown favorite, but after the results over the weekend, BetMGM Sportsbook had it as 5 1/2 points Monday. ___ AP NFL:
In conclusion, the announcement of the Xiaomi YU7 has generated significant buzz and anticipation within the automotive industry. However, the revelation of the preemptive registration of related trademarks by third parties highlights the complexities and risks associated with brand management in the competitive electric vehicle market. As Xiaomi continues to pursue its vision of innovation and sustainability in the automotive sector, addressing trademark challenges like those surrounding the YU7 will be crucial for maintaining its competitive edge and ensuring the success of its new car model.In a thrilling announcement that has sparked excitement among fans of Chinese animated films, it was officially confirmed that "Nezha 2: The Mischievous Child Causes Havoc at Sea" is set to premiere on Chinese New Year 2025. Following in the footsteps of its predecessor, the highly anticipated sequel promises to deliver a blend of action, adventure, and mythology that captivated audiences worldwide.
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Moreover, the coach highlighted the crucial role of rebounding in determining the outcome of games. Rebounding is not just about grabbing missed shots; it is also about establishing control and dictating the pace of the game. By emphasizing the significance of rebounding to Liu Chuanxing and the team as a whole, the coach hopes to instill a sense of urgency and determination in securing possessions and limiting second-chance opportunities for opponents.
With a talented team of filmmakers and animators behind the project, "Nezha 2" is poised to surpass the success of its predecessor and create a new box office sensation. The first installment, "Nezha: Birth of the Demon Child," was a runaway hit that shattered box office records and became the highest-grossing animated film in China's history. It received critical acclaim for its stunning visuals, engaging storytelling, and memorable characters, establishing itself as a modern classic in Chinese cinema.The tragic events that unfolded in Haiti serve as a stark reminder of the fragility of peace and the devastating consequences of unchecked violence. As the nation mourns the loss of over 184 lives, let us stand in solidarity with the people of Haiti, offering our support, compassion, and unwavering commitment to building a more just and peaceful world for all.Players Era Festival organizers betting big NIL is future of college tourneys
FRISCO, Texas (AP) — A rare win as a double-digit underdog came just in time to let the Dallas Cowboys believe their playoff hopes aren't completely gone in 2024. Cooper Rush probably will need three more victories in a row filling in for the injured Dak Prescott for any postseason talk to be realistic. The thing is, the Cowboys (4-7) could be favored in two of those games, and already are by four points as an annual Thanksgiving Day host against the New York Giants (2-9) on Thursday, according to BetMGM. Not to mention the losing record at the moment for each of the next four opponents for the defending NFC East champions, playoff qualifiers each of the past three seasons. The Cowboys have a chance to make something of the improbable and chaotic 34-26 win at Washington that ended a five-game losing streak. “Behind the eight ball,” Micah Parsons said, the star pass rusher acknowledging the reality that Dallas hadn't done much yet. “Let’s see how we can handle adversity and see if we can make a playoff run. But we got a long way to go.” It was a start, though, powered in part by the best 55 minutes from the Dallas defense since the opener, when the Cowboys dismantled Cleveland and looked the part of a Super Bowl contender. The last five minutes for the Dallas defense against the Commanders looked a lot like most of the nine games after that 33-17 victory over the Browns. Which is to say not very good. Jayden Daniels easily drove Washington 69 yards to a touchdown before throwing an 86-yard scoring pass in the final seconds to Terry McLaurin, who weaved through five defenders when a tackle might have ended the game. The Cowboys kept a 27-26 lead thanks to Austin Seibert's second missed extra point, and withstood another blunder when Juanyeh Thomas returned an onside kick recovery for a TD rather than slide and leave one kneel-down from Rush to end the game. Dallas will have to remember it did hold a dynamic rookie quarterback's offense to 251 yards before the madness of the ending in the Cowboys' biggest upset victory since 2010 at the New York Giants. That one was too late to save the season. This one might not be. “We needed it,” embattled coach Mike McCarthy said. “It’s been frustrating, no doubt. We’ve acknowledged that. We’ve got another one right around the corner here, so we have to get some wins and get some momentum.” Rush ended a personal three-game losing streak with his best showing since the previous time he won as the replacement for Prescott, who is out for the season after surgery for a torn hamstring. The 117.6 passer rating was Rush's best as a starter, and the NFL's second-worst rushing attack played a solid complementary role with Rico Dowdle gaining 86 yards on 19 carries. KaVontae Turpin's electrifying 99-yard kickoff return did more than lift the Cowboys when it appeared an 11-point lead might get away in the final five minutes. It eased the worst day of special teams for Dallas since John Fassel took over that phase four years ago. Suddenly struggling kicker Brandon Aubrey had one field-goal attempt blocked and missed another. Bryan Anger had a punt blocked. For the second time in five games, Aubrey's attempt to bounce a kickoff in front of the return man backfired. The ball bounced outside the landing zone, putting the Commanders at the 40-yard line to start the second half and setting up the drive to the game's first touchdown. CB Josh Butler, whose NFL debut earlier this season came five years after the end of his college career, had 12 tackles, a sack and three pass breakups. The pass breakups were the most by an undrafted Dallas player since 1994. Rookie LT Tyler Guyton, who has had an up-and-down season with injuries and performance issues, was benched immediately after getting called for a false start in the fourth quarter. His replacement, Asim Richards, could be sidelined with a high ankle sprain that executive vice president of personnel Stephen Jones revealed on his radio show Monday. Veteran Chuma Edoga, who was the projected starter at Guyton's position before a preseason toe injury, was active but didn't play against the Commanders. He's awaiting his season debut. The status of perennial All-Pro RG Zack Martin (ankle/shoulder) and LG Tyler Smith (ankle/knee) will be a question on the short week after both sat against Washington. Stephen Jones indicated Smith could be available and said the same of WR Brandin Cooks, who hasn't played since Week 4 because of a knee issue. TE Jake Ferguson may miss at least a second week with a concussion. The short week might make it tough for CB Trevon Diggs (groin/knee) to return. 75% — Rush's completion rate, his best with at least 10 passes. He was 24 of 32 for 247 yards with two touchdowns and no interceptions. His other game with multiple TDs and no picks was a 25-10 victory over Washington two years ago, when he went 4-1 with Prescott sidelined by a broken thumb. There's some extra rest after the short week, with Cincinnati making a “Monday Night Football” visit on Dec. 9. The next road game is at Carolina on Dec. 15. AP NFL: https://apnews.com/hub/nflTitle: Touching Story of 83-Year-Old Woman Lost in the Streets, Walks 18 Kilometers in Distress Before Being Rescued by Kind VendorMemphis beats No. 2 UConn 99-97 in overtime to tip off Maui Invitational
Players Era Festival organizers betting big NIL is future of college tourneysIn conclusion, let us honor the memory of those who lost their lives in this senseless act of violence by redoubling our efforts to promote peace, justice, and reconciliation in Haiti and beyond. May their sacrifice serve as a catalyst for positive change and inspire us all to work towards a future where such tragedies are but a distant memory.UN urges Taliban to protect journalists, ensure media freedom in Afghanistan
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AROUND the turn of the Millennium, U2 were ready for a reset. Since forming at school, the four likely lads from Dublin’s Northside had scaled dizzying heights to become the world’s biggest band. But Bono, The Edge, Adam Clayton and Larry Mullen Jr wanted to recapture the free-wheeling, rabble-rousing spirit of their early days. This process began with their tenth studio album, All That You Can’t Leave Behind, released in 2000 and best remembered for euphoric lead single Beautiful Day. For album No11, How To Dismantle An Atomic Bomb, they were looking to take things a stage further — to strip their music back and to rock out. “We were hitting our forties,” bassist Clayton says today, before adding with a knowing smile, “which is still a very vibrant, masculine moment! “As a band at the peak of its powers, playing well together, our aim was to go into a room and command that room with just a few primary colours.” To get in the mood, singer Bono listened to unvarnished, guitar-driven records by the bands who had inspired him in the first place — The Who, The Clash and Buzzcocks. When it came to recording, U2 turned to producer Chris Thomas, the man who had added fuel to the fire of punk’s most iconic album, Never Mind The Bollocks, Here’s The Sex Pistols. On paper, Thomas seemed like the perfect choice but, as you probably know, this is a band that “moves in mysterious ways”. It took Steve Lillywhite, producer of their first three albums, Boy, October and War, to apply necessary rocket boosters to send their studio efforts into orbit. Speaking via Zoom from the Irish capital, the genial Clayton gives me some first-hand insights into the complicated creation of How To Dismantle An Atomic Bomb. If Lillywhite gets most of the production credits, Thomas is also recognised, as are other U2 associates Brian Eno, Daniel Lanois and Jacknife Lee. The finished article contains what Clayton calls “four very strong songs — Vertigo, City Of Blinding Lights, Sometimes You Can’t Make It On Your Own and All Because Of You”. Twenty years on, we also have a worthy companion album, How To Re-Assemble An Atomic Bomb, ten discarded tracks from the sessions finally brought kicking and screaming into the light. It includes Luckiest Man In The World, originally known as Mercy but given new lyrics and melody by Bono, and regarded by Clayton as “a great song”. “I have a feeling that one will be in our live set,” he says. “It didn’t fit with what we were trying to do at the time, but I’m so glad it’s out there now.” We also have the thrilling punk blast of Country Mile and three other previously unheard songs, Happiness, Evidence Of Life and Treason. The newly remastered out-take Picture Of You (X+W) bears the telling lines: “I’m going nowhere, where I am, it is a lot of fun/There in the desert to dismantle an atomic bomb.” Clayton returns to the story of the sessions: “Chris Thomas cut his teeth engineering The Beatles, made the legendary Never Mind The Bollocks and did some wonderful records with Chrissie Hynde and The Pretenders. “By the time we got to know him, he’d also done a lot of good records with INXS, so he straddled different eras.” U2 had been friends with mercurial INXS singer Michael Hutchence right up until the Aussie’s untimely death in 1997. Bono and Hutchence were neighbours in the south of France , near Nice — that’s where Thomas came in. Clayton says: “We had known Chris for a while. We would bump into him during summers in France when various reprobates would gather.” During those balmy days under the Mediterranean sun, there were informal chats with Thomas “about the record we wanted to make”. It was these that led U2 to “setting off on a course with him”. But, and it’s a big BUT, things didn’t quite work out as planned, as Clayton explains. “In U2, we have a rather strange methodology, which is: Just when you think a track is finished, we go off and rewrite it! “Chris wasn’t used to this. Quite reasonably, he thought a record should take six weeks at most. “When we were heading into the third month, he found it very difficult to concentrate. “At that point, he said, ‘Look, I’m not sure I’m the right person. You Irish guys are a bit too crazy!’” There’s something about those searing guitar riffs. They’re eternal. The band turned to Steve Lillywhite, who Clayton recalls being “very helpful and very sensible”. “He listened to what we had, particularly the track we were putting most energy into — the one which became Vertigo.” First known as Native Son, the song served as a homage to Leonard Peltier, a Native American incarcerated for murder in 1975 and long the subject of miscarriage of justice campaigns. “For us, it was a complex lyrical matter,” says Clayton. “It wasn’t really working and Steve called it. "He said, ‘Do a better backing track and then we’ll play it to Bono’. He had been doing other work, but when he heard what we’d done he was very excited. “Bono said, ‘Give me a mic’. And the bones of Vertigo happened right there.” Suddenly, “everything clicked into place” and U2 had a storming, straight-ahead anthem to kick off their new album, exactly what they had been aiming for. Clayton says: “We’ve always loved the idea making rock and roll 45s and Vertigo fits into that, as does Beautiful Day. “They are the holy grail of tunes for us. They’re fun to play and audiences love them. “There’s something about those searing guitar riffs. They’re eternal.” If Vertigo is a three-minute adrenalin rush that Clayton describes as “invincible”, Sometimes You Can’t Make It On You Own is just as intense but in a very different way. Spanning nearly five minutes, the searing power ballad bears a towering Bono vocal and some of his most heartfelt lyrics. Originally with the working title Tough after the song’s first word, it is about the singer’s troubled relationship with his father Bob Hewson, who died of cancer in 2001. Clayton well remembers how the song resonated with the rest of the band. “Bono’s father had been very, very sick,” he says. “Probably with the exception of Edge, we’re a band of men who had difficult relationships with our fathers. “Sometimes You Can’t Make It On Your Own contemplates the loss of a very big figure in a very big figure’s life. It is poignant and powerful. “You don’t need to dig very deep before you realise what Bono was working with. “I’ve always responded to the universality of a lyric. But, because I know Bono and because we’ve been together for so long, I’m very aware of where he pulls his references from. “For me, Sometimes You Can’t Make It On Your Own was him being that small boy again, that 14-year-old looking at his father who was struggling with the loss of his wife.” Clayton is referring to the death of Bono’s mother, Iris, which had a devastating effect on the singer’s whole family. When Bono writes, he’s never looking for sympathy. She is remembered in several U2 songs, including I Will Follow and Iris (Hold Me Close). But Clayton adds: “When Bono writes, he’s never looking for sympathy. Rather like a method actor, he’s saying, ‘I need to examine this emotion and express it.’” The bassist suggests that no matter who you are, rock stars in their ivory towers included, life can be tough. He says: “The thing that’s dropping into my vision nowadays is realising that nobody escapes heartache, disappointment, vulnerability. We’re all built the same.” This brings us to another key song from How To Dismantle An Atomic Bomb, City Of Blinding Lights, which, says Clayton, had a difficult birth. “It was originally conceived on piano but we had to shift everything into guitar mode. It was hard to make it work.” Then he adds with due modesty: “Once we had, dare I say it, the bass part, which drives it, everything slotted into place.” City Of Blinding Lights, a U2 live staple, achieved wider recognition when it was used by Barack Obama during his presidential campaigns. Clayton questions whether a song being used in a political context “is a good badge of honour” but adds: “It must have connectivity — and that means something.” Bono’s lyrics reflect on lost innocence but, suggests his bandmate: “It is written to the audience and also to a city. The city of blinding lights is probably New York.” We move on to a wider discussion about the influences swirling around How To Dismantle An Atomic Bomb. Of its post-punk vibe, Clayton says: “As teenagers in 1976/77, there was a lot of anger in the air. That was our go-to position, where we came from, our music.” Clayton acknowledges that in the years leading up to How To Dismantle An Atomic Bomb, “We made our music more complicated — to take us away from the mainstream maybe. “A lot of Edge’s more lyrical guitar parts were coming from a place of otherness. “On this record, we were interested in pushing him to turn off the echo machine and play the power chord. “Sometimes, it’s hard to get him to do that,” he adds, before adding with a smirk, “because he doesn’t have that sort of anger in him!” Clayton sees the two albums, Dismantle and Re-Assemble, as something of a last hurrah for old-school recording techniques. “Compared with 20 years ago, music today is made in an entirely different way. It’s a different sound, not that of four men forging a future for themselves. “Back then, records were based on people in a room, playing instruments together. “Now that’s become uneconomical. Artists are in their bedrooms or home studios, creating music alone, and that is being streamed. “It’s a different sound, not that of four men forging a future for themselves.” Clayton says that when U2 started out in the late Seventies, “the best way for a band to succeed was desperation. To have no plan B. “You had no choice but to keep going forward because your life depended on it. “By the time you got a record deal and a bit of money, the next thing you had to do was play a whole load of tiny, s***ty little bars and clubs.” Before the ever-insightful Clayton and I go our separate ways, I ask him for an update on drummer Larry Mullen Jr. who missed U2’s groundbreaking shows at the state-of-the-art Sphere in Las Vegas because of “drumming-related” injuries. “He’s back on his stool,” replies Clayton. “Look, we are a little bit like athletes, but have a longer shelf life. “Larry’s body had taken a battering over the years and his primary issue was pain. “He’s finally feeling much better and is very enthusiastic about playing again.” And what of the future of U2? “I feel, I hope not mistakenly, that we still have a lot to give,” answers Clayton. “No matter where our lives have led us, the constant is mucking about in a studio, creating music together. “That is the greatest reward.” How To Dismantle An Atomic Bomb (20th anniversary editions with How To Re-Assemble An Atomic Bomb)
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