Developed by a team of talented creators, PIONER promises to deliver a groundbreaking gaming experience that combines elements of survival, exploration, and combat in a post-apocalyptic world. Set in a desolate landscape where players must navigate through challenges and dangers to survive, PIONER offers an open-world environment with endless possibilities for adventure.What Did Drew Barrymore Say About Being ‘Touchy’ During Interviews?
Meningococcal Vaccine Market Is Set To Grow From USD 3,950.2 Million In 2024 To USD 9,014 Million By 2034, Registering A Robust CAGR Of 8.6% | FMI
Los Angeles Galaxy's Gabriel Pec and Wife Isabella's Relationship Timeline"Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum." Section 1.10.32 of "de Finibus Bonorum et Malorum", written by Cicero in 45 BC "Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?" 1914 translation by H. Rackham "But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but because occasionally circumstances occur in which toil and pain can procure him some great pleasure. To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences, or one who avoids a pain that produces no resultant pleasure?" 1914 translation by H. Rackham "But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but because occasionally circumstances occur in which toil and pain can procure him some great pleasure. To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences, or one who avoids a pain that produces no resultant pleasure?" To keep reading, please log in to your account, create a free account, or simply fill out the form below.What OpenAI's Sora means for the future of truth
Despite the challenges and controversies that followed the incident, one thing remained clear – the community rallied around Marcus and The Midnight Owl. Well-wishers flooded the bar with messages of support, donations for Marcus' medical expenses, and offers of assistance. It was a reminder of the resilience and solidarity that can emerge in times of crisis.
Trudeau will have to 'kiss the ring' to achieve smoother bilateral relations with Trump: John Bolton
For many men, there is a cognitive dissonance that comes with turning on mainstream TV. After days at a time of watching online or streaming content calibrated by preference and algorithm to our tastes, it is jarring to switch on terrestrial television and assess the portrayal of masculinity in advertising. In ad after ad, the men are teeming with dopey enthusiasm, emotionally incontinent, strutting and prancing about with harebrained schemes, no self-awareness, in a passive relation to the sophisticated people around them, and so unrelatable to mainstream men as to scarcely register as men at all. Chorus’ ‘New Zealand Runs On Fibre’ ad showcases a stream of benignly befuddled blokes interacting with tentative conviviality, the kind of men wider swathes of mainstream men go out of their way to avoid. In an Audible ad, a manchild cavorts around a neighbourhood, making a succession of fantastical pronouncements, cutting to him in bed, saying, “I’m riding an emotional rollercoaster”, to which his fondly exasperated wife, presumably needing a decent amount of sleep to win the bread on behalf of them both, gives him ‘the look’: a levelling gaze and chastising wrinkle of the brow, before saying, “Can you ride more quietly?” There is a commercial for Haier washing machines that features a benign and chubby husband who gazes at the camera in a rapture of niceness, while music in the cheerful mode of a preschool-show tootles in the background. While the ladies exude equanimity, poise and good judgement, the blokes are docile larrikins, who prompt a kind of droll affection from their abiding better halves. For every redoubtable male stroking his freshly shaven jaw in a razor commercial, there are half-a-dozen goofballs - sexless prattling beta-males staring dim-wittedly as they receive some reproach or comeuppance. According to the annual MFA (Media Federation of Australia) Industry Census, released earlier this year, 62 per cent of employees are female. The average age is just 32. Culturally, 52 per cent identify as Australian, and 9.4 per cent of industry employees belong to the LGBTQ+ community. By an astounding coincidence, the contemporary visual tropes, cues and caricatures of masculinity in advertising happen to manifest the mindset, self-inserts and disposition of metropolitan, Sapphic-sympathetic women in their late twenties and early thirties. Meanwhile, Aussies have been turning more to online sources for their viewing, a 2023 Australian Communication and Media Authority report found. It also said fewer were watching terrestrial broadcast free-to-air TV. For their television viewing they are increasingly finding content through video-on-demand services, whether provided by free-to-air and subscription broadcasting or subscription streaming platforms. The report said the advertising market for free-to-air TV has decreased eight per cent in 2022–23. Meanwhile, online subscription has grown from 59 per cent to 66 per cent. Free to air viewing declined from 56 per cent to 52 per cent. Because of the male preference for STEM subjects, (Science, Technology, Engineering and Mathematics), and the prevailing attitude that if something doesn’t feature proportionate representation it must therefore suffer from a lack of representation, it is rare for men in advertising to be depicted solely as ideal archetypes in these fields. Instead, there is usually an accompanying generic white-lab-coat-lady, in her late twenties or early thirties, wearing glasses the model almost certainly doesn’t require in real life, and who exists in a medium of diffuse lighting, slow-motion nods and handshakes in consulting rooms and airy glass atriums. I’m about to make a contentious assertion. Advertising requires a solid all round skillset encompassing instincts, awareness of trends, relatability, creativity and levity. My assertion - and I’m about to run for cover like the last waiter who has just fed Mr Creosote in Monty Python’s The Meaning of Life - progressive women in their late twenties who’ve grown up posturing in the vacuous realm of social media and did a marketing degree aren’t naturally good at levity and relatable humour. Their efforts in commercials, leaning recurrently on grating gender interplay, almost always at the man’s disadvantage, are anti-comedy. They are cringeworthy, and actually, quite dated. A second contentious notion: these advertisers proceed from the assumption that men have egos, and it is quite savvy to puncture such bumptiousness, to take them down a peg if there’s some dopey chauvinism in evidence. The irony here, though, is that men, in the main, are actually quite able to shrug off stuff and be wryly self-deprecating – up to a point. Does anyone think the young professional women working in funky open-plan offices making these ads can, in a comparable way, laugh at themselves, or see themselves lampooned much in ads? Who would you suppose has the thinner skin? Some late millennials and gen Z types, coming up in a social milieu steeped in identity politics, have brought with them social constructivist ideas about gender – downplaying traits we’ve traditionally associated with men. And also the traits that male audiences like and respond to, because they’re men: masculine composure, ironical distance, drolly scathing humor, deep loyalties and perhaps most of all, the unwillingness to take any nonsense – to not wilt self-deprecatingly, or be put in their place. And to give off the attitude and vibe of not being someone to contend with in the first place. Men can be compelling because they comport themselves in an undemonstrative way. They draw attention and even speculation to themselves through presence, subdued confidence that makes them the social center of gravity. In male psychology especially between potential rivals or protagonists and antagonists, dominance and assertion has a lot to do with who is controlling the pace and rhythm of an exchange. The more one man becomes overly expressive, the pace increases, the more he appeals, the more he can find himself in a passive position wilting under the quiet ironical assessment of the other. This is a world away from the fussy, prissy, hectored and theatrical men that are so annoying – and unrepresentative – in advertising. Not a world away, perhaps, but certainly a generation. Nicholas Sheppard is an accomplished journalist whose work has been featured in The Spectator, The NZ Herald and Politico. He is also a published literary author and public relations consultant
The CCDI must act decisively to address the remaining cases of officials who have not yet faced disciplinary action. It is essential for the credibility and integrity of the anti-corruption campaign that all guilty parties are held accountable for their actions. The Chinese people deserve a government that is free from corruption and operates with the highest standards of integrity and accountability.As the battle against account sharing continues to unfold in the online streaming industry, it remains to be seen how users will react to the new restrictions. While some may choose to continue their subscriptions despite the changes, others may seek alternatives that offer more flexibility and value for their money.