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TAMPA, Fla. (AP) — Two-time Pro Bowl linebacker Shaquil Barrett is rejoining the Tampa Bay Buccaneers. The Bucs signed the two-time Super Bowl champion on Saturday, while also announcing safety Jordan Whitehead was activated from injured reserve ahead of Sunday’s home game against the Carolina Panthers. Barrett spent five seasons with Tampa Bay from 2019 to 2023. He led the NFL with a franchise-record 19 1-2 sacks in his first year with the Bucs, then helped the team win its second Super Bowl title the following season. In all, Barrett started 70 games with Tampa Bay, amassing 45 sacks, 15 forced fumbles, two fumble recoveries and three interceptions. He was released last winter in a salary cap move, signed a one-year contract with the Miami Dolphins in free agency, then abruptly announced his retirement on social media before the start of training camp in July. Barrett, who also won a Super Bowl during a four-season stint with the Denver Broncos, decided to unretire last month. He signed with the Bucs after clearing waivers earlier in the week. Whitehead has missed the past four games with a pectoral injury. His return comes of the heels of the Bucs placing safety Christian Izien on IR with a pectoral injury. On Saturday, the Bucs also activated rookie wide receiver Kameron Johnson from IR and elevated punter Jack Browning to the active roster from the practice squad. NFL: https://apnews.com/hub/nflEby says Canada poised to respond to Trump threats with a right, left marchXRP Price Prophecy: Can XRP complete A 200% Jump To New ATH? Golden Cross Says WallitIQ (WLTQ) Will Explode 18,000%None
KGYY-15 by Op-T-Mune for Type 1 Diabetes (Juvenile Diabetes): Likelihood of Approvalhas just become ’s third consecutive critically acclaimed project for DC, but it’s his first creative output from his new DCU slate as co-head of DC Studios. Technically speaking, it’s the fifth celebrated project in a row since he oversaw Matt Reeves’ DC Elseworlds’ HBO series, , as well as the Sundance acquisition of . Gunn did not intend for his new animated series to launch the rebooted DC universe, but immediately following the ratings juggernaut that was season one, HBO Max, now Max, asked Gunn if he had another streaming series in him. He proceeded to write all seven episodes of on spec, and just as he was dotting the i’s and crossing the t’s, he was hired by Warner Bros. Discovery to shepherd the entire universe alongside his longtime friend and producer, Peter Safran. Thus, is first up to bat since the 7-episode series was already in motion. In late 2022, after turning in his scripts, Gunn knew that he needed to hire a showrunner while he and Safran conceived the rest of the DCU’s first chapter. That eight- to ten-year plan is now known as featuring a handful of films, TV series and games, including 2025’s , the DCU’s “true beginning.” All the while, , who co-created Max’s beloved animated series (2019), was helping Gunn bring to fruition. But as swamped as Gunn was with and various other tasks, Lorey is grateful that the filmmaker and studio co-chair was still able to be hands-on with , versus redirecting him to other parties. “To tell you the truth, it was one of the best experiences I’ve had. I didn’t have to go through anybody else. It was one-stop shopping,” Lorey tells . Gunn adds: “[Going through multiple people] can be a pain in the ass. Honestly, [working directly] was something good that I got from Marvel. There was a very clear back and forth [with Marvel], and while there was sometimes arguing in the best of ways, it always led to something different. It wasn’t like people were taking sides. The politics of it was gone, and that’s the way that we did . It was me working together with Dean to create the best thing, and none of us had egos.” takes place shortly after season one, as Amanda Waller (Viola Davis) sidesteps the congressional ruling that she can no longer enlist human prisoners for A.R.G.U.S.’s dangerous missions by now using imprisoned monsters. As a result, Waller hands a new operation and team to Rick Flag Sr. (Frank Grillo), the father of the fallen , who was murdered by Peacemaker/Christopher Smith (John Cena) in Gunn’s DC debut, (2021). Grillo’s older Flag will also play a key role in the upcoming film and second season of , all of which serves as an example of the kind of synergy that Gunn hopes to maintain between animation and live-action. As for the DCU’s upcoming live-action launch, Gunn is currently test-screening (2025), and he remains absolutely bullish about David Corenswet’s Superman/Clark Kent. “Honestly, from the bottom of my heart, David Corenswet is going to freak everyone out with how great he is,” Gun insists. “He is one of the best actors I’ve ever worked with, and he can do everything. The man is incredible.” Gunn has also just wrapped season two, and he’s excited about the deviation that’s coming the audience’s way in late 2025. “Season two of is also going to take people by surprise,” Gunn shares. “We take a very different route than the first season, and it’s a really magical story that people are going to be blown away by.” Below, during a conversation with , Gunn and Lorey also address the question surrounding what is and isn’t canon from the now-defunct DCEU, as well as a potential second season of . *** Well, it really wasn’t meant to be that. The main thing is that it was already written. ( ) HBO Max asked me to do another show after the success of , but I wasn’t sure exactly what I wanted to do. Committing to a TV show is a big deal, so I just started playing with different ideas, and then I started writing on spec. I wrote all seven episodes in a few weeks, and then right around the time that I was finishing those scripts, I got hired as the co-head of DC Studios. So we were ready to go [with ]. I supervised production and shepherded it forward, but James was still very involved in every step. We sent him the voice records cut together, the animatics, everything, so James was very much a part of the whole process. I don’t know how he does it! Every time I dealt with , it was like Christmas for me. Taking on a project the size of is just crazy. It’s hard and stressful. But the [ ] guys were doing such amazing work, and the cast was so incredible. They just kept sending me one great thing after another, but I also really cared about it. The pieces that I care about, I really get into the nitty-gritty of them. Of course, I worked with the actors for the recording of everything, which is relatively simple. At the end of the day, there’s seven episodes and they aren’t long. So we recorded everybody doing everything at once, and it wasn’t that much time. Yeah, they’re light canon. is pretty straightforward, with the exception of the appearance by a certain group [the former DCEU’s Justice League] at the end. ( ) They don’t exist . But the rule is: if we mention [something from the past] in one of the new DCU shows [and movies], then it happened. So that’s the way we’re dealing with it. ( ) To tell you the truth, it was one of the best experiences I’ve had. Being the creator of the show, James’ notes were very clear and very specific. I also knew that once we did them, I didn’t have to go through anybody else. It was one-stop shopping. Yeah, [going through multiple people] can be a pain in the ass. Honestly, it was something good that I got from Marvel. Normally, when you work on a movie, it’s the director’s voice, the studio’s voice and the producers’ voice. Sometimes, it’s the production company, and oftentimes, all those things can really fight each other. And working with Marvel, it was me as a director and them as the producer/studio. So there was a very clear back and forth, and while there was sometimes arguing in the best of ways, it always led to something different. It wasn’t like people were taking sides. The politics of it was gone, and that’s the way that we did . It was me working together with Dean to create the best thing, and none of us had egos. I can’t do everything, so it’s about using my time as best I can. There’s a lot of things I have to turn over to the guys to do, and it’s about really putting my time where it needs to be. I’m a micromanager. When I’m doing a movie, I’m looking at every single thing. So it’s definitely been wearing, and honestly, I can’t do what I’ve been doing the past [however many years]. Well, I wouldn’t give away any state secrets, but I haven’t tried to grill James for anything about these characters. I’d mostly like to be surprised. I hope that James writes the next batch of stuff and that I can read it all in the same way that I did this past batch. So that’s how I’d like to find out unless I’m the one writing. Yeah, we’ve talked about all of these characters in live-action and how we would do them, if we did them, in live-action. I don’t want to give away any secrets, but we use some technology in that’s completely new in regards to this kind of stuff. So we would know exactly how to do GI Robot. Absolutely. 100 percent. That’s right. Everything is very consistent in terms of the politics of the world and where the world is at and what’s going on; who are the metahumans in power, who are the metahumans not in power; who are the power brokers, who are not the power brokers. So we see a glimpse of it here, but we see more of it in and . We took elements of what the DC Frankenstein has been as this mercenary. But we also took a lot of things from Mary Shelley’s original for both the Bride and for Frankenstein, and we put them together in a way that added some other interesting elements. But I love Mary Shelley’s , and part of the real fun for me was playing with that canon in the same way that we’re playing with the DC canon. And David Harbour’s performance adds a whole other dimension to our Frankenstein. Indira’s [Varma] Bride, too. The two of them are just incredible. Yeah, I found his backstory to be heartbreaking and touching and emotional in ways that you would never associate with Weasel. It was by far the most surprising backstory. Yeah, he does. He really does. He does me favors when I need him, and he’s amazing in his episode of . Linda Cardellini, who’s another one of my close friends who I’ve worked with a lot, is amazing as Weasel’s lawyer, Elizabeth [Bates], in episode four. So I have this group of people who never ever let me down, like Nathan Fillion. Gregg Henry, who’s amazing, is in this season. So there’s just a lot of really wonderful actors that I’ve formed bonds with, and because I know the ins and outs of what they can do, I use them as appropriately as I can. Yeah, we were able to do that. We got several together. We had Indira and Zoë [Chao] together. They were great fun to watch, and they were fangirling over each other. It was terrific. Who were the others? Grillo and Harbour. And Grillo and Maria [Bakalova]. That’s right. There are these couples throughout the show, and it was important to get the energy between them so that it didn’t read like your usual thing with one line, one line, one line, one line. We wanted to really have this conversationalist, back-and-forth energy, and Indira and Zoë added little things afterwards to really keep it alive and make it feel like it’s real. So it was important to us from the beginning to keep that naturalistic style. We’ve talked about it, yeah. I feel great. is an enormous bear of a movie. It’s completely different from this show in every way, but it’s very much fantastic as well. Honestly, from the bottom of my heart, David Corenswet is going to freak everyone out with how great he is. He is one of the best actors I’ve ever worked with, and he can do everything. The man is incredible. And then season two of is also going to take people by surprise. We take a very different route than the first season, and it’s a really magical story that people are going to be blown away by. Frank Grillo, of course, is a major part of that [and ], as his character, Rick Flag Sr., from . *** premieres December 5 on Max. THR Newsletters Sign up for THR news straight to your inbox every day More from The Hollywood ReporterGREEN BAY, Wis. (AP) — After losing to San Francisco in the playoffs three of the last five seasons, the Green Bay Packers wouldn’t mind seeing the 49ers get left out of the postseason entirely. The Packers (7-3) could damage San Francisco’s playoff hopes Sunday by beating the 49ers at Lambeau Field. San Francisco (5-5) dropped to .500 after losing at home to the Seattle Seahawks, though the 49ers remain just a game behind the Arizona Cardinals in the NFC West. “I think we’re motivated to keep winning more than anything,” Packers center Josh Myers said. “Obviously, they have knocked us out quite a bit. There’s that extra motivation behind it, but at this point, we’re just trying to churn out wins.” The 49ers will be playing this game without starting quarterback Brock Purdy, who injured his right shoulder in the Seahawks game. Although an MRI showed no structural damage, Purdy's shoulder didn't improve as the week wore on. Brandon Allen will start in Purdy's place. Green Bay is third in the NFC North and two games behind the Detroit Lions, but the Packers appear on track to at least earn a wild-card playoff berth. History suggests their path to a potential Super Bowl would get much clearer if the 49ers aren’t standing in their way. The 49ers trailed 21-14 in the fourth quarter before rallying to beat the Packers 24-21 in the divisional playoffs last year on Christian McCaffrey’s 6-yard touchdown run with 1:07 left. Now, it’s the 49ers who are struggling to protect late leads, as they’ve blown fourth-quarter advantages in three games against divisional opponents. “You could look at, ‘Hey, we’re three possessions away from being 8-2,’ but you can’t really live like that,” 49ers tight end George Kittle said. “Those are the mistakes that we’ve made to be 5-5. It’s not exactly where we want to be. It is frustrating. The nice thing is we have seven games left to go out there and play Niners football and take advantage of those opportunities.” Green Bay’s recent history of playoff frustration against the 49ers also includes a 13-10 loss at Lambeau Field in the 2021 divisional playoffs and a 37-20 road defeat in the 2019 NFC championship game. Even the Packers players who weren’t around for last season’s playoff loss realize what this game means. “I think one of the first meetings that I was in here, we had a conversation about the Niners beating us,” said Green Bay safety Xavier McKinney, who joined the Packers this season. “So I understand how important it is, and we all do.” Red-zone concerns Both teams must figure out how to convert red-zone opportunities into touchdowns. The 49ers are scoring touchdowns on just 48.8% of their drives inside an opponent’s 20-yard line to rank 27th in the NFL. The Packers are slightly worse in that regard, scoring touchdowns on 48.7% of their red-zone possessions to rank 28th. In their 20-19 victory at Chicago on Sunday, Green Bay drove to the Bears 5 without scoring on two separate series. Injury issues Purdy isn't the only notable player who won't be participating in Sunday's game. San Francisco won't have four-time Pro Bowl edge rusher Nick Bosa available after he hurt his left hip and oblique against the Seahawks. Packers cornerback Jaire Alexander (knee) and linebacker Edgerrin Cooper (hamstring) also have been ruled out. Kittle expects to play for the 49ers on Sunday after missing the Seahawks game with a hamstring injury. 49ers left tackle Trent Williams (ankle) is questionable. Seeking takeaways Green Bay’s defense feasted on turnovers the first part of the season, but hasn’t been as effective in getting those takeaways lately. The Packers have 19 takeaways – already exceeding their 2023 total – but haven’t forced any turnovers in their last two games. Heavy load 49ers coach Kyle Shanahan hasn’t eased McCaffrey back into the lineup in his return after missing the first eight games with Achilles tendinitis. McCaffrey has played 91% of the 49ers’ offensive snaps the past two weeks. Jordan Mason, who rushed for 685 yards during McCaffrey’s absence, has just five snaps on offense the last two games. Shanahan said he’d like to get Mason more opportunities, but it’s hard to take McCaffrey off the field. Delivering on third down Green Bay nearly lost to the Bears because of its third-down struggles on both sides of the ball. The Packers were 1 of 5 on third-down opportunities, while the Bears went 9 of 16. The Packers’ defense could have a tough time correcting that problem against San Francisco, which has converted 45.4% of its third-down situations to rank fourth in the league. ___ AP Pro Football Writer Josh Dubow contributed to this report. ___ AP NFL: https://apnews.com/hub/NFL Steve Megargee, The Associated Press
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ehind the scenes of 's creative process, a recently surfaced video has sparked lively discussions among fans and critics alike. The clip, on December 13, shows the 14-time Grammy winner practicing sultry dance moves with burlesque icon for the music video, a track from her 2022 double-platinum album . While the collaboration seemed promising, the behind-the-scenes footage revealed a efforts to master Von Teese's signature moves. In the video, Von Teese coaches Swift on how to perform her iconic "Martini Glass" dance, including a moment where she . However, things take a comical turn when the stocking gets caught on Swift's foot, resulting in an audible tear. Looking visibly flustered, Swift exclaimed, " ," before clutching her chest and apologizing with, " ." The candid moment, while endearing to some fans, caught others off guard Fans divided over her candid moment The resurfaced clip, shared by an account named glamilyofficial on December 18, has since . Some commenters expressed , questioning her role as a role model for younger audiences. " " one person asked, while another commented, " " Others criticized Swift's demeanor during the practice session, despite her years of experience in the entertainment industry. One commenter remarked, " ." Another chimed in with, " " However, , celebrating her authenticity and humor in the face of an unfamiliar challenge. One Instagram user observed, " " Others appreciated the glimpse into the dynamic between Swift and Von Teese, noting how it showcased a more relatable side of the pop icon. The video has ultimately become a talking point about Swift's charm and relatability, even in less polished moments.SAN DIEGO, Dec. 03, 2024 (GLOBE NEWSWIRE) -- Robbins LLP reminds investors that a class action was filed on behalf of all persons and entities that purchased or otherwise acquired Xerox Holdings Corporation XRX securities between January 25, 2024 and October 28, 2024. Xerox and its subsidiaries offer workplace technology that integrates hardware, services, and software for enterprises in the Americas, and internationally. For more information, submit a form , email attorney Aaron Dumas, Jr., or give us a call at (800) 350-6003. The Allegations: Robbins LLP is Investigating Allegations that Xerox Holdings Corporation (XRX) Misled Investors Regarding its Business Prospects According to the complaint, during the class period, defendants failed to disclose to investors that: (1) after a large workforce reduction, the Company's salesforce was reorganized with new territory assignments and account coverage; (2) as a result, the Company's salesforce productivity was disrupted; (3) as a result, the Company had a lower rate of sell-through of older products; (4) the difficulties in flushing out older product would delay the launch of key products; and (5) therefore, Xerox was likely to experience lower sales and revenue. Plaintiff alleges that on October 29, 2024, Xerox revealed "lower-than-expected improvements in sales force productivity" and "delays in the global launch of two new products" had led to "sales underperformance." The Company disclosed that for third quarter 2024, quarterly revenue was down 7.5% year-over-year to $1.53 billion, net loss fell to -$1.2 billion (down $1.3 billion year-over-year), and equipment sales declined 12.2% year over year to $339 million. In a corresponding earnings call, the Company's COO revealed the product delay was in fact a "forecasting issue" where the Company "had higher expectations that we were going to flush through the older product" which it needed to "sell through" in order to "make those transitions." On this news, the Company's share price fell $1.79, or 17.41%, to close at $8.49 per share on October 29, 2024. What Now : You may be eligible to participate in the class action against Xerox Holdings Corporation. Shareholders who want to serve as lead plaintiff for the class must submit their application to the court by January 21, 2025. A lead plaintiff is a representative party who acts on behalf of other class members in directing the litigation. You do not have to participate in the case to be eligible for a recovery. If you choose to take no action, you can remain an absent class member. For more information, click here . All representation is on a contingency fee basis. Shareholders pay no fees or expenses. About Robbins LLP : Some law firms issuing releases about this matter do not actually litigate securities class actions; Robbins LLP does. A recognized leader in shareholder rights litigation, the attorneys and staff of Robbins LLP have been dedicated to helping shareholders recover losses, improve corporate governance structures, and hold company executives accountable for their wrongdoing since 2002. Since our inception, we have obtained over $1 billion for shareholders. To be notified if a class action against Xerox Holdings Corporation settles or to receive free alerts when corporate executives engage in wrongdoing, sign up for Stock Watch today. Attorney Advertising. Past results do not guarantee a similar outcome. A photo accompanying this announcement is available at https://www.globenewswire.com/NewsRoom/AttachmentNg/513fb6e4-a34e-4150-8fe5-2c133087d380 Contact: Aaron Dumas, Jr. Robbins LLP 5060 Shoreham Pl., Ste. 300 San Diego, CA 92122 adumas@robbinsllp.com (800) 350-6003 www.robbinsllp.com https://www.facebook.com/RobbinsLLP/ https://www.linkedin.com/company/robbins-llp/ © 2024 Benzinga.com. Benzinga does not provide investment advice. All rights reserved.Native American patients are sent to collections for debts the government owes